The tempo of an excerpt will determine which term best describes its movement. Disjunct, conjunct, and repeated tones are three possible terms that can be used to identify the overall movement of a melody.
What Are Disjunct, Conject, And Repeated Tones?
Disjunct tones are notes that have a wide interval between them. This type of melodic movement creates a leaping or skipping effect. Conject tones, on the other hand, are notes that are closely spaced. This creates a more connected and flowing sound. Finally, repeated tones are notes that are repeated either within a phrase or in between phrases.
How Is Melodic Process Assessed?
The Perceptual Roles of Melodic Process, Contour, and Form have been studied to assess the melodic process of a given excerpt. This involves the use of both form analysis and clustering procedures to identify the melodic process of an excerpt. By analyzing the intervals, rhythms, and overall form of a melody, it can be determined whether the excerpt is mainly composed of disjunct, conjunct, or repeated tones.
Examples Of Disjunct, Conject, And Repeated Tones
A good example of disjunct tones is the Triumphal March from the Opera Aida (: 3:38). This excerpt has a more leap-like or skipping movement due to its wide intervals. Likewise, examples of conjunct tones are found in the chorus of many pop songs as they create a more connected sound. Similarly, examples of repeated tones can be found in the melodies of many folk songs and hymns.
By analyzing the intervals, rhythms, and overall form of a melody, it is possible to determine whether the excerpt is mainly composed of disjunct, conjunct, or repeated tones. Understanding these three terms and how they affect the tempo of a melody can help you to better understand music.