The estampie is a form of medieval music and dance which was popular in the 13th and 14th centuries. It was known for its complex rhythms and instrumental accompaniment. The answer to this query is that even when the entire choir is singing the chant, the texture does not remain monophonic.

Background on the Estampie

The estampie was originally a dance form that would usually consist of several short sections. These sections were repeated until the dancers either became tired or the musicians stopped playing. The music was typically performed by a group of instrumentalists and was usually accompanied by singing, either by a soloist or a choir. The rhythms in estampie music were complex and often featured syncopation and cross rhythms.

The music of the estampie is usually said to be monophonic, meaning that it is made up of a single melodic line. Some estampie compositions featured two or more melodic lines, but these were usually played in unison or parallel motion. Though some melodies may have been “grammatically” incorrect, these would remain uncorrected due to the nature of the form. In other words, the musicians would remember the chant as an individual piece, and not as a part of a larger composition.

Answer to the Query:

The answer to the query is that even when the entire choir is singing the chant, the texture does not remain monophonic. That is to say, the music of an estampie cannot be sung by a choir if it is to remain monophonic in nature. If the choir sings the chant in unison or parallel motion, then the music will become polyphonic.

In conclusion, the answer to the query is that even when the entire choir is singing the chant, the texture does not remain monophonic. This is because estampie music is typically monophonic in nature, and it is only when two or more melodic lines are introduced that the music becomes polyphonic.